2,024 Royalty-Free Audio Tracks for "In C"

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

Chopin - Mazurek cis-moll op. 50 nr 3Chopin - Mazurka in C sharp minor, Op. 50 no. 3

Here We Come A-wassailing (title given as "Wassail Song" in the CD notes), a English Christmas and New Year's carol from c. 1850 performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

A synth riff i'm making for a goa song i'm working on. This is at 135 bpm and the notes are f, c#, c, b, g#, used the poizone in fl studio, pulse wave with pw modulating, and with a nic portamento. Enjoy and spread ohm through goa.

Piano-accomplisment with left hand, to replace bass or use as intro. Be my guest to download and use it :).

I'm getting to know a comparator. Why haven't i used it before?here i'm using, let's say, 2,5 comparators. Extremely electronic. Yes!look at those waves i'm creating!no filter! this is addative synthesis. Long loop.

Me saying "party', recorded on my sony ic recorder icd-ux533f then using 'change pitch' in audacity i changed it to the key of c for use in my daw as a really corny sample. Yours to use, you don't have to give credit but i would love to know if you used it for anything, leave a link. . (as you can tell i do like dance music. ).

Frank C. Stanley's 1910 Indestructible Record performance of "Auld Lang Syne". This is Indestructible Record #1267. "Auld Lang Syne", ein Lied, das traditionell zum Jahreswechsel gesungen wird, in einer Aufnahme aus dem Jahr 1910 Македонски: Шкотската новогодишна песна Auld Lang Syne („Многу одамна“) во изведба на Френк Стенли (1910).

Piano Sonata No. 10, 3rd movement, allegretto.

The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846

A chord progression in c minor made on lmms, played on bells put through phasing and delay. If you make music using this, please leave a link under this post.

A close recording of a saxophonist playing on the street in washington, d. C. Recorded with a zoom h2wave, 48k, 24bit.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Date: 29/9/2017location: hamilton, new zealand. Played this piece with a marine band hohner in the key of c. This was recorded using audacity with macbook pro's built-in microphone. I used audacity's noise reduction feature to drown out the noise in thebackground.

This noise is white noise powered by itsself. So f. E. Random value 0. 63 will result in pow(0. 63, 0. 63). The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

132 bpm in c minorjust simple chords in a quick patch i made in sylenth1. Cant imagine what anybody will do with this but might as well just leave it here for the good people of freesound. :d.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. This is a man cutting the sidewalk with a jackhammer. Recorded on 11/16/2018 in burbank, ca. Enjoy,. Christopher c. Courter.

An ambient pad in the key of c made in fl studio, using freeware vsts. I'm learning my way around the eq and mastering tools, this is also my first sample uploaded so i'd appreciate some feedback.

Motor sound from a 2008 hyundai sonata. A zoom h2n handy recorder was used to capture the sound and basic editing was completed in garageband. (created by mark j. And chad c. In digital production 120).

Short recording of a suburb in the summer, with some light rain starting. A/c units audible. Recorded with zoom h4n on-board stereo mics.

Recording of piano (physical, not electronic keyboard) tones and a chord (mostly c in different octaves), made quickly with cellphone with a little bit of noise, hopefully can still be useful.

14 variations of the same tone sequences. Each effect is 1/3 seconds. Key of c, 140bpm. Made in lmms via triple oscillator.

This is a 808 bass which i sampled from my novation drum station. The sample covers one full octave from c#0-c1. The sound was recorded through a yamaha m1516 which pretty much has the same circuit as a api. As you can hear it sounds pretty much the same as a roland 808. The drum station uses analog modeling so the sound is pretty nice. Feel free to use in your productions. There is no need to contact me if you release a track with this sample just enjoy.

This kind of noise generates sinusoidally interpolated random values at a certain frequency. In this example the frequency is 100hz. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

This kind of noise generates linearly interpolated random values at a certain frequency. In this example the frequency is 100hz. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.

*256 tone = 1 step in 768-tet on C. Equal-tempered: 21/(6*128):1 = 1.56 cents cents. MIDI pitch bend: 64,32 on m2 The 1023rd subharmonic is 1.69 cents, and Sibelius's pitch bend commands are not fine enough to distinguish between these two intervals, as is human perception.

fluctuating random voltages patch example from doepfer. De/a100_man/a100_patch. Htmi made the patch in vcv-rack. The patch is meant to emulate the "fluctuating random voltages" of the buchla 266 source of uncertainty module. In this patch i use the "fluctuating random voltages" to modulate a filter. The filter is filtering a square wave tuned to a c (or close to a c).

Recorded in a small room with the a/c fan running. This was recorded with my olympus pcm recorder. I increased the volume by 10db using audacity.

This is simply a synth playing a c note with the pitch automated. Typically used in modern electronic music to signify a build and create an euphoric feeling.

A loud and monstrous distorted synth lead that screams for some filter love! created in cubase using novation's v-station processed thru various effects. Enjoy!.

A c marine and composites, of gosport, in hampshire, is only a few years' old, but growing fast, as founder alex newton tells graham freer.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Todi, one of ten thaat. Created by Hyacinth (talk) 11:59, 10 March 2011 (UTC) using Sibelius 5. GFDL-self

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar.

Single note from my realistic mg-1. The note is c. Warbly/slow subtle vibrato on a muted saw. Feel free to use in anything.

Video gamey beat thing. I think it's in c minor and 120 bpm.

Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).

V of V chord progression in "Sweet Georgia Brown". V/V/V-V/V-V-I: A-D-G-C. Note that the tempo is kept but the number of measures is cut in half.

Air raid siren, air defense warning, battle alarm, 50 seconds oneshot, in mono. The alarm is a reminder on sep 18th of every year in p. R. C for mukden incident "https://en. Wikipedia. Org/wiki/mukden_incident".

Japanese version of Auld Lang Syne. Auld Lang Syne is a song written by Scottish poet Robert Burns (1759–1796). This song is well known in many countries in the world, also Japan. In Japan, Auld Lang Syne is well known as it's translated version "蛍の光"(read as "Hotaru no hikari"(means "lights of fireflies") translated by 稲垣千頴(Chikai Inagaki) early Meiji era(1880s). I did my best, but quality is poor. So if you can sing this song and upload ogg file, please substitute the links to this song which embedded in some wikipedia pages to your better version. 日本語: 蛍の光の一番。まだなかったので歌ってみました。歌は苦手なのですがこれからパブリックドメインの楽曲のアップロードが増える事をねがいつつアップロード。もし他に歌ってくれる方がいる場合（バンドやってる方や打ち込みやってる方など）、Wikipedia内でこの曲へ張られているリンクは、あなたがアップロードしたもっとまともなファイルの方へ切り替えてくやってださい。お願いします。 Software 使用ソフト 超録 http://pino.to/choroku/ for recording 録音用 Audacity http://audacity.sourceforge.net/ edit & export ogg file 編集とoggファイルの書き出し用 chord コード進行 C -> G -> Am -> F C -> G -> F -> G -> C C -> G -> C/G -> F C -> G -> F -> G -> C

This sound was created in sculpture synth. The key signature is c8. The sound is similar to dropping a small glass ball or dropping a gun shell.

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

A bionic man-like effect. Created in qtractor with calf organ and c* scape stereo delay. Processed in audacity to speed up velocity, added a tremolo inverse sawtooth effect, and tremolo sawtooth effect to increase ducking at a frequency, and added fade in and out. This is probably closer to the original.

This kind of noise consists of a certain number of random values per second. This number is the density. In this example there are 10 random values per second. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

The first three, and final verses of Through the Years. Originally "Tyle Lat" and later translated into English. Written c. 1920 by Francis Hodur, and translated in 1921 by the Fourth Synod of the PNCC.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

Here's my second flute reel for the make noise morhpagene. This is how far i've came over the past few months in my playing and despite a few slip ups here and there i'm quite pleased with how i'm able to make it sound now. Would love to hear what people do with these samples as it is quite humbling to know my playing is in people's modular systems across the globe.

A loopable recording. Played in dminor. The chords are: dm c b a90 bpm. Played on a washburn festival series guitar. Recorded with ableton.